If this sounds like you, you will love these infamous arthouse films that have changed the movie industry permanently over the years. All that goodwill for Good Will Hunting can buy a genuinely independently-minded guy a lot of leeway—enough to make a draggy, plotless parable about two guys named Gerry starving to death in the desert (not to spoil the ending but they don’t get far on foot). Best French Film 1990-1999. The shallow-focus imagery of Eliza Hittman’s debut belies its depth as a coming-of-age fable. Every joke in this movie seems to be more for the people making it than for an audience. Movies. Lots of indies strive for weirdness, but unusual ways of seeing—both in terms of literal camera placement and the more ephemeral quality of “perspective”—come to Decker naturally. The Essential Must See Top 50 Arthouse Films. Unless you are a cinema aficionado, you probably noticed something else about the list above: you haven't heard of many of those movies. At Sundance in January 2001, the apocalyptic vibes of Richard Kelly’s absurdist-sci-fi-time-travel comedy impressed critics; by September of the same year, an ad campaign featuring a crashing plane destroyed its chances of a successful release. Both women come together to solve the mystery of Rita’s true identity, encountering all kinds of oddities along their way and generally leaving audiences in awe, yet scratching their heads. The Metascore is a weighted average of scores from top professional critics, on a scale from 0 (bad) to 100 (good). The quality of the cinematography is beyond perfection. Mulholland Drive starts out as what looks like a simple neo-noir movie, but you will soon begin to see hints of idiosyncrasy and surrealist elements popping up as the plot deepens. But that’s OK, because what Room 237 is really about—beyond whether or not Stanley Kubrick faked the moon landing and used a shot of child’s sweater to confess it (spoiler: he didn’t)—is how even the most magisterially controlled works of art (e.g. the best of the decade should have Law Abiding Citizen, Man on Fire, Behind Enemy Lines, Wedding Crashers, The curious Case of Benjamin Button, What Lies Beneath , and The Bourne Identity. Long before he commanded budgets equal to the GDP of a small country and had Michael Caine on speed-dial, Nolan got big-time production value out of his priceless instincts for how to discombobulate an audience without losing them completely; what makes Memento memorable isn’t just its Harold Pinter–ish reverse chronology but all the little visual and verbal details—a tattoo here, a cryptic one-liner there—that stick firmly in the back of our minds even as they go in one of Guy Pearce’s antiheroic ears and out the other. Life seems normal for the two friends – until something unexpected happens that changes their lives forever. The highlight of the movie is definitely the ending, in all its grandeur and epic sequence. Your email address will not be published. On the same day, Chow Mo-wan (Tony Leung) and Su Li-zhen (Maggie Cheung) rent two different apartments in the same building, becoming next-door neighbors. The fact he hasn’t made a movie since is a mystery, and a shame. Both are married and their respective spouses are always traveling for work. The cryptic, visionary Butter on the Latch, about a pair of city girls who attend a Balkan music camp in the middle of the California wilderness and begin to lose their grip on reality, incorporates horror-movie motifs into a meditation on identity that’s anything but generic. “Yi Yi” tells you the straightforward truth about life: it’s always a constant flow of joy and pain. Variety is reporting that HBO just released a trailer for His Dark Materials Season 2 and it is coming in November.... Emily in Paris debuts on Netflix, Friday, October 2. In the Mood for Love (2000) The movie is set in Hong Kong in 1962. In the Mood for Love (2000) In the Mood For Love is a vintage film that first hit cinemas in 1962 in Hong Kong. Tomas Alfredson (2008) A Prophet – Dir. But Dee Rees’s film stood—and stands—apart because of the subcultural specificity of its subject matter: as a queer, black coming-out story, it anticipates Moonlight while incorporating aspects of its director’s own autobiography, framed by sensitive, exuberant cinematography by Bradford Young. Consider it the attempt of a former finicky video clerk to take some things I really like and share them with you all. The top 26 films, all appearing on 2 or more “Best Art House” movie lists, are ranked below by how many times they appear. Whatever else you can say about this strategically ugly, grueling, extraordinary three-hour ordeal—complete with “Locomotion” music video—it is the film of a free man. The Hillz with paris hilton should be on the crappy movies list. The Rhodesian-born political columnist and hip-hop chronicler Charles Mudede cowrote Robinson Devor’s amazing, underseen crime drama, based on his experiences as a journalist on Seattle’s “police beat.” Its hero is a Senegalese immigrant who works as a bike cop and narrates his experiences in his native Wolof language while we watch him interact in English with Americans. It’s the rare sort of self-awareness that radiates with humility instead of personal branding, and it’s essential in a moment when even progressive nonfiction filmmaking too often opts for emotional shorthand and cheap shots. Earlier this week, we published our list of the best music of the decade. Gladiator (2000) 2. As businessman Tomas and his wife Ebba take their content and comfortable family skiing in the French Alps for a picture-perfect holiday a storm is brewing, of natural and marital description. A decision that in turn rocks this familial structure to the core. The reason Computer Chess gets my vote is because it’s so singular: a deadpan black-and-white oddity shot on circa-1980s video cameras about a group of beta males—all amateur chess whizzes—who check into a lonely hotel for a weekend tournament only to become pawns in some larger game involving the Pentagon and artificial intelligence.