The design by Snøhetta won the international competition in 2000. Cite: "Oslo Opera House / Snøhetta" 07 May 2008. Continuous work on improvements by the operators in high performing European cultural buildings – Norwegian Opera Ballet House! Optimizing a chilled-water hydronic system, The TA-STAD – Legendary quality with improved performance and convenience, Air and dirt can undermine system performance, Annual Hydronic Balancing Sales Conference, Balancing and Control Specialist Conference, NEBB Recertification Program - Atlanta Training Center, Pneumatex pressurization, dirt separation & degassing, Pneumatex Pressurization, Dirt Separation and Degassing, ​Minimising energy consumption at the new opera house in Oslo. Eight individual designs of embossed and indented aluminium are accurately repeated over 9000 m2 of facade on the Oslo Opera House - winner of the 'culture' category at the inaugural World Architectural Festival in 2008. the opera has three theaters and a variety of practice and rehearsal spaces image © gerald zugmann. The interior of the wooden wall has an intimate feel in contrast to the open, white foyer. Oslo Opera House - Norway 1. The Water Project is by artist Monica Bonvicini. Change ). Then we were asked to analyze this building. I drew the roof plan, section and she drew the first floor plan. We also looked for many resources on internet, magazines and books. DB: you have said that the project is somewhat of a ‘social monument’. have something to add? The Oslo Opera House is the largest cultural complex that has been built in Norway in the last 700 years. IMI Hydronic Engineering has a close relationship with the consultants and the installer. Using Low-H₂O technology ensures that carbon emissions are kept to a minimum and the heaters are able to react quickly to any changes in temperature.. Take a look around and grab the RSS feed to stay updated. ( Log Out /  DB: snøhetta’s work covers everything from architecture to brand design. For “wave wall”, it has the light and varied surface. Oslo Opera House added to the Swegon Air Academy Case Studies. Sep 25, 2013 - Explore Sara Marquardt's board "case study | oslo opera house" on Pinterest. The Norwegian Opera and Ballet is the country’s largest music and theatrical institution, being the national producer of opera, ballet, music and dance theatre, and concerts. This is a link of Opera house online introduction, http://www.archdaily.com/440/oslo-opera-house-snohetta/. Consider about aesthetic and reflection, the designers used aluminum. We’ve developed a range of applications and software downloads to help you design, install and optimize every type of HVAC solution. the location of the service entrance would thus have a logical connection to the back of house areas emphasizing the importance of the production for the actual performances. The four main materials are marble, oak, aluminum and glass. in the winter months, ice often forms along the ramp and snowdrifts alter the form of the building image © birdseyepix (main image © thomas harryson). At the World Architecture Festival 2008, it was the winner of the ‘culture’ category and in 2009, the building won the Eu - ropean Union Prize for Contemporary Architecture – Mies van der Rohe Award. the roof overhang seems like it defies the laws of gravity, and acts as a cap extending the living space. In this project, we were asked to study a case and analyzed it. DB: compared to now, how many people were working in snøhetta’s office at the time of the competition? Box 300 the opera house creates a strong visual connection between oslo’s downtown and eastern areas image © gerald zugmann. Change ), You are commenting using your Facebook account. endstream endobj startxref the campsite consists of a series of unique architectural objects. the roof is publicly accessible and by allowing such an intimate relationship between the public and the building, we achieved a sense of public ownership to the object. So I decided to analyze the materials. %%EOF how do you approach different projects with a variety of clients, scales, and mediums? KT: as in most projects, separating delivery and public without creating a back side can be a challenge. Oak, treated with ammonia to give a dark tone, was used in the auditorium for floors, walls, and ceilings, as well as balcony fronts, and acoustic reflectors. Obviously, oak can deal with the changing geometry and provide acoustic absorption. the marble roof was designed by the artists kristian blystad, kalle grude, and jorunn sannes image © trond isaksen, statsbygg. are you pleased with the way the project has been received? Oslo Opera House. we wanted to rejuvenate this typology to let the opera and ballet arts also become part of a possible future. IMI Hydronic Engineering could offer a solution that will give the system the right conditions to provide comfortable indoor climate with minimum energy consumption. Opera and ballet are young art forms in Norway, art forms that evolve in an international setting. the opera house is one of three case studies to be examined at RESONATE lisbon, a one-day conference that will explore the relationships between architecture, art, and sound. 47 0 obj <> endobj even in a country like norway, one continuously needs to create situations that remind us of the hard struggle to achieve equality and democracy. The conceptual basis of the competition and the final building is a combination of three elements, the “Wave Wall, the “Factory” and the “Carpet.”. More about My Studio Project And The Oslo Opera House. | Site by Design Motive this approach connects to the main station and the city center. The government wanted the Opera House to be a landmark for Norway as a cultural nation, highlighting the Norwegian Opera and Ballet, and also the foundation for the urban redevelopment of the area. The interior becomes the facade showing how interdependent the interior and exterior of the building are. For Snøhetta a close collaboration with artists has always been an important part of their projects. Norwegian Opera and Ballet House in Oslo: Part 2 – Highly advanced technical systems! KT: attitudes have content. DB: what were the key aspects of your design? IMI plc All Rights Reserved The stage curtain was designed by American artist Pae White. DB: snøhetta also designed the project’s interiors. Read more information in news about building structure […] I have the chance to visit and tour this amazing building. The project focuses on improving energy efficiency by designing the system in a way that minimises energy consumption for heating and cooling, ventilation and lighting. after about three months of negotiation with the client, statsbygg, we were awarded the commission. My partner Ida and I chose Olso Opera House in Norway as a case study. The glass is used for exposure of the underside of carpet. Oak was chosen as the dominating material for both the “Wave Wall’ and the main auditorium. Oslo's new Opera House is located on the Bjørvika Peninsula overlooking Oslo Fjord. The pattern developed by the artists was based on old weaving techniques. KT: opera houses normally have clear historic references. They launched an international competition and invited the public to review the proposals. Change ), You are commenting using your Twitter account. ​. The glass is like a light during. The “Carpet” was a collaboration with artists Kristian Blystad, Kalle Grude and Jorunn Sannes. ( Log Out /  a social monument of oblique character reminds us how absolute the horizon is. It also expressed the design concept, art and life, land and sea, Norway and world. The Opera is built on piles in the Oslo fjord, abutting reclaimed land that extends Oslo's harbor, giving more of the city's waterfront space back to the public. The public and stage areas are located to the west, the production areas, which are simpler in form and finish, are located to the east. The metal is used for the “factory”. The Snøhetta designed chandelier, suspended inside an oval reflector, is the main source of illumination in the auditorium. Completed in 2008, the Oslo Opera House (Operahuset in Norwegian) reflects the landscape of Norway and also the aesthetics of its people. Stage 2, seating up to 400, will be used by both opera and ballet, as well as banquet functions, rock concerts, experimental performances and children’s theatre. by liberating ourselves from preconceptions and routine, we make room for new ideas to emerge, and as a result we achieve unique and contextual designs. Swegon Air Academy this entrance is also facing the river ‘akerselva’, historically the industrial part of oslo. The dividing line between the ground “here” and the water “there” is both a real and a symbolic threshold.